robert langellier
The arc of Ron’s sentences would often loop up and hang there suspended and strangled, unsure of where to travel, his sense of locutional direction suddenly vaporized, the arc left to flitter in the air for a moment and fall lazily to the ground like dropped paper scraps. They would come out as half-thoughts, mere hesitations: There was a bridge next to the uh—the uh—. And then nothing. It was at this point of change, this stopping moment in the sentence arc, where his sanity would be momentarily hooked and slammed, a brief interruption to the listener but a monumental shakeup of Ron’s sense of clarity. Because it happened all the time. This getting lost in communication. It was in part the devastating notion of lingual possibilities, the incalculable multitudes of word combinations, thought combinations, where a sentence could be shifted and adjusted mid-course by a single word, and the whole thing would diverge: I was in the car—on the car—on her car—on her something—in her something… Ron did not trust such a feeble and fallible thing as himself with the great responsibility of assigning language in its proper order. And since Ron preferred the universe to be in perfect order, he was greatly depressed by the overwhelmed synapses between his tongue and his mind. And he soon became a picture of shining quietness.
The arc of Ron’s sentences would often loop up and hang there suspended and strangled, unsure of where to travel, his sense of locutional direction suddenly vaporized, the arc left to flitter in the air for a moment and fall lazily to the ground like dropped paper scraps. They would come out as half-thoughts, mere hesitations: There was a bridge next to the uh—the uh—. And then nothing. It was at this point of change, this stopping moment in the sentence arc, where his sanity would be momentarily hooked and slammed, a brief interruption to the listener but a monumental shakeup of Ron’s sense of clarity. Because it happened all the time. This getting lost in communication. It was in part the devastating notion of lingual possibilities, the incalculable multitudes of word combinations, thought combinations, where a sentence could be shifted and adjusted mid-course by a single word, and the whole thing would diverge: I was in the car—on the car—on her car—on her something—in her something… Ron did not trust such a feeble and fallible thing as himself with the great responsibility of assigning language in its proper order. And since Ron preferred the universe to be in perfect order, he was greatly depressed by the overwhelmed synapses between his tongue and his mind. And he soon became a picture of shining quietness.
This is one of the best things ever written. I couldn't relate any more than I do with this post! haha
ReplyDelete-Jenn